notes on MAZY (2003)

What is the human body able to sustain when subjected to devices that record sounds and images? And what can be done with the human body when it tends to evade the representational codes of these devices? MAZY (meaning “labyrinthine”), based on the choreography by Willi Dorner, offers three answers formulated with the dispositives of video, film and computer: videographic marionette, expressive filmic being and computerized trace of movement.

Year
2003
Country
AT
Language
German
Release date
1 January 2003
TMDB
0.0 (0)
CineVerse
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