Smell the flowers while you can (1994)

Johan Grimonprez transposes an extract from Meg Stuart’s compelling choreography ‘No Longer Ready-Made’ to the anonymous waiting room of a railway station. This colourless space along with nameless travellers provides the excellent setting for Stuart’s hectic and intense convulsions. A train ride along the nightly Brussels northern area supports the vitriolic New York City prose of David Wojnarowicz on the soundtrack.

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