Etüde (2011)

Etüde draws on early avant-garde film theories and practices, on the utopia of the absolute film: hearing pictures, seeing music. With the technique of hand-drawn sound, the film medium becomes the instrument, something playable. Fruhauf allows us to take part in this process, gets the sound creaking and places a hand in the picture as a subject – where it increasingly threatens to rebel against its forced role.

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