Cupid's Fever (2021)
Child hunters look through scope-cam rifles to aim for the heart in a found-footage portrait of love told through YouTube vlogs of relationship breakups and psycho exes. Cupid’s Fever is part of the anthology 'I Went to a Party Alone' in which YouTube vlogs of random daily life are recast as scenes imbued with mythic allusions. When the hard cuts and juxtapositions reveal a landscape of oppressive social control, the vloggers’ mundane normal soon gives way to the surreal. Seemingly innocuous recordings are fraught with foreboding as the vloggers who yearn for freedom, love and self-expression find themselves unable to escape society’s haunting bondage. MilleFeuille's intention is not to subsume the original footage and its first context into a singular narrative or message, but rather to inhabit the slippery terrain of found-footage multivalence.
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