Grand Central Hotel (2021)

The camera is placed in the foyer of the eponymous hotel, the lens turned towards the door. Pulling a suitcase on wheels, instead of a clear, distinct figure, a hazy shadow crosses the threshold. It could almost be the start of a film noir or a tribute to Chantal Akerman’s Hotel Monterey. Or perhaps a bit of both: it’s the beginning of a very idiosyncratic interview with an iconoclast of the electro scene – Terre Thaemlitz, better known by the moniker DJ Sprinkles.

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